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This Way to the Museyroom Composition as a Rhetorical Lens in the Works of James Joyce
Department: English & Philosophy
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Pocatello
Unknown to Unknown
L. M. Cooper
Idaho State University
Thesis
No
6/25/2025
digital
City: Pocatello
Master
One property that unites several lenses in composition studies is their endorsement of a "cognitive" perspective (Moffett 15; Emig 122; Flower and Hayes 365). Cognitive perspectives emphasize the decision-making process behind a text: what compositional choices did an author make to accomplish their rhetorical goals? Related to this notion is the "genetic" discipline of literary criticism, which analyzes a writer's archival material to trace the compositional history and writing process of a text itself (Hayman 7; Hay 531). This thesis seeks to conjoin these perspectives through the use of a "compositional lens" for rhetorical analysis. This lens uses the acronym "READ" (read, extract, adapt, discuss) to critically analyze texts and transfer concepts they employ to new rhetorical contexts, specifically in first-year writing (FYW) classes. As a primary example, James Joyce is used due to the abundance of writing techniques in his work. Keywords: cognitive composition, genetic criticism, James Joyce, rhetorical analysis, FYW.

This Way to the Museyroom Composition as a Rhetorical Lens in the Works of James Joyce

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